After selling out headline shows and wowing audiences at Green Man and All Points East on their August tour, Folk Bitch Trio have announced a return in March 2026, bringing their "otherworldly" (Line of Best Fit) live show to 11 cities across UK/Europe.
Now Would Be A Good Time tells vivid, visceral stories. Folk Bitch Trio’s music sounds familiar, built on a foundation of the music they’ve loved throughout their lives–gnarled Americana, classic rock, piquant, and clear-eyed balladry. Yet the songs are modern and youthful, with the trio singing acutely through dissociative daydreams, galling breakups, sexual fantasies and media overload— all the petty resentments and minor humiliations of being in your early twenties in the 2020s.
“Stunning three-part harmonies with candid lyrics and “rock’n’roll energy.” Uncut Magazine
“...this is one of those debut records so accomplished that it’s as if it’s just fallen out of the ether, fully formed. By blending melody, harmony and palpable atmosphere, Folk Bitch Trio have created a masterful debut that lingers long after the final notes ring out.” - NME
“...staggering debut album” Line of Best Fit
Folk Bitch Trio—the Australian band of Gracie Sinclair (she/her), Jeanie Pilkington (she/her) and Heide Peverelle (they/them)— have just released their debut album, Now Would Be A Good Time, in which they “effortlessly meld their individual perspectives into a stunningly cohesive style” (FLOOD). The album has rapidly garnered glowing praise from the likes of the MOJO, Paste, Uncut, and Dork, and featured on the cover of NME with a 5-star review that hailed the album as “a masterful debut that lingers long after the final notes ring out.”
After selling out headline shows and wowing audiences at Green Man and All Points East on their August tour, Folk Bitch Trio have announced a return in March 2026, bringing their "otherworldly" (Line of Best Fit) live show to 11 cities across UK/Europe.
Now Would Be A Good Time tells vivid, visceral stories. Folk Bitch Trio’s music sounds familiar, built on a foundation of the music they’ve loved throughout their lives–gnarled Americana, classic rock, piquant, and clear-eyed balladry. Yet the songs are modern and youthful, with the trio singing acutely through dissociative daydreams, galling breakups, sexual fantasies and media overload— all the petty resentments and minor humiliations of being in your early twenties in the 2020s.
