For over two decades, Trivium have quietly raised the bar for heavy music by conjuring a near-magic balance

between towering melodic metal infectiousness, extreme metal unpredictability, black metal scope, and a

kick of rock ‘n’ roll spirit. After forming in 1999, Trivium crafted a classic in the form of Ascendancy. It

concluded 2005 as KERRANG!’s “Album of the Year,” went gold in the UK, and has since surpassed global

sales of 500,000 copies. Retrospectively, Metal Hammer cited it in the Top 15 of the “The Greatest Metal

Albums of the Century.” They’ve earned six straight Top 25 debuts on the Billboard Top 200 and six Top 3

debuts on the Top Rock Albums Chart. One of many standouts from 2017’s The Sin and The Sentence, thesingle “Betrayer” garnered a GRAMMY® Award nod in the category of “Best Metal Performance.

” The band

reached new heights on 2020’s What The Dead Men Say, appearing everywhere from The New York Times,

NPR, Forbes, Billboard, Tech Crunch, and Kotaku to Revolver and Alternative Press. They are the rare band

who can incinerate a stage alongside Metallica and Iron Maiden and hold a captive audience of tens of

thousands on a Twitch stream. Following 22 years, over 1 million units moved, hundreds of sold-out shows,

and half-a-billion streams, and GRAMMY® Award-nominated —Matt Heavy [vocals, guitar], Corey Beaulieu

[guitar], and Paolo Gregoletto [bass] —deliver a definitive statement cast in ironclad guitar fireworks,

pummeling rhythms, lyrical provocations, and stadium-shaking choruses on their 10th full-length offering, In

The Court of the Dragon [Roadrunner Records]. It springs from the past, seizes the present, and hints at the

future of Trivium—and metal—all at once.