Tenacious D Interview
by Jenn Nimmo-Smith, Chuffmedia
You haven’t released any songs since 2006, what brought the group out of it’s hiatus?
K. Well, I guess…Love of the game? Yeah I’m gonna go with love of the game
J. Yeah, I’m gonna go with love of the game. Though it should be a multiple choice, you should give us all of the possible reasons as to why we came out of hiatus and then we choose one!
J. OK, let’s go with love of the game.
What has Tenacious D been up to in this time?
J. What have we been up to since the last time? Well we’ve been working on our meditation, a lot of meditation. There’s been a lot of time spent in the Himalayas. There’s been a lot of exercise and diet. There’s been a lot of nose to the grindstone. That’s right, I’ve been nose to the ground stoned! We put out a DVD, about three years ago.
K. That’s true. The Complete Master Works 2.
J. This time even more completer! We’ve been working very hard to complete a masterpiece, you know. But what else have you been up to?
K. I’ve made babies since last time.
J. I’ve been making babies too, but I just can’t find them.
K. Did you lose them?
J. I don’t know where they are. Maybe we’ll find them somewhere on the road!
So can you tell use a little bit about the inspiration behind the songs on this album, and a bit about your songwriting process?
J. Well my inspiration was really just my children. It’s kind of like when Creed found out about his baby and he wrote all those songs about it – like ‘With Arms Wide Open’. This is kinda my Arms Wide Open album. Would you agree?
K. I don’t know, that’s the first I’ve heard!
J. I guess the inspiration was the haters, the non-believers, they inspired us to fight much harder. I mean, it’s definitely our comeback album. We’ve been gone for years. What was the inspiration K, besides fighting off the haters and the critics?
K. Well every song has it’s own story really. I mean, ‘Low Hangin’ Fruit’ was inspired by sexy, you know, sex. ‘Senorita’ was inspired by sex. Okay so I guess there’s a lot of sex in there.
J. The cover of the album is really a big raging boner. I guess the inspiration was orgasms. We should put orgasms on the special thanks list, I don’t know why we didn’t really.
K. Not until we get more, more and better ones.
J. I don’t need more, I have all the orgasms I need.
J. Well, if you have more orgasms then they’re not as good, you know that. You’ve gotta spread them out. If you’re gonna want an orgasm every night, it lessens their explosivity. You’ve got to hold off sometimes, just to have a bigger blow-out.
How are you hoping the critics will receive the new album?
K. I hope they rave about it. I’m gonna read every single review.
J. I hope that they speak the truth, my only fear is that they’ll speak what they think they’re supposed to think. They’re gonna say what they’re supposed to say oh these guys are just clowns right? We don’t take these guys seriously, right?’. That kind of b*******. It’s lazy. I’m open up to critics who will really listen to it and say what they really think, as I honestly think it’s the greatest album in the last seven years. And you say ‘why seven Jack, why not just one year?’ Well seven’s just the number that came into my brain.
Have you received any feedback, have you read any reviews yet?
J. Everyone who’s heard it so far has creamed, they’ve creamed upon it. The songs are better than orgasms, it’s been proven scientifically. They’ve wired people brains and when they listen to the album their pleasure cylinders fire on all cylinders. K, can I get your back up on this?
K. I’ve read every review so far and they’ve varied about 90% positive. There was a bad one.
J. Who f****** dared?!
K I can’t remember who it was! It said the big comeback falls short.
J. What a d***! Well my mum likes it a lot.
K. That guys either a liar or has the worst taste.
J. You know what I wanna do, I want to go back into the archives and see who he likes.
What’s it like making music together again and being back together as a group? Is it the same dynamic or has it changed?
J. You know, it’s better than ever, really. The older I get the more I appreciate the camaraderie and the creative buzz that we get – it’s been a pleasure. I love to rock. How do you spell that?
J. I do love to roque. Roque and roll!
So a fair chunk of your tour is going to be spent in Europe in June. What do you like about performing for this specific audience and what are you hoping for at these shows?
J. Well we’ve never played in Germany before so that will be interesting. We’re looking forward to seeing if the hunger for The ‘D’ is as ravenous as we’ve heard. But the UK has always been some of the best shows we’ve ever had. They just have a deeper appreciation for rock than the rest of the world. And it makes sense, I would say most of the best rock has come from the UK, and it makes sense that they would appreciate it more. Wouldn’t you agree K?
K. I do, I think the people in the UK are just a little smarter, a little more sophisticated. Thank you UK.
Talking of British rock, what kind of British rock do you like?
J. I don’t know if you’ve heard of these kids, the Arctic Monkeys? I like some Arctic Monkeys, and have you heard of a band called Biffy Clyro? We had to open for them. The Beatles, The Rolling Stones, there’s just some really great bands.
And you played Glasgow in 2006, what are your memories of the show there?
J. Well that was one of the best shows ever, remember that K?
J. I think that was the biggest show we played in the UK, and it was off the scale. I remember some ‘ole ole ole’ before the show started. Then we went on and the sound of the audience was similar to thunder, Kyle almost had a cardiac arrest because it vibrated his chest cavity so intensely.
K. I tell you, that would have been a pretty cool way to go.
J. Kind of. ‘He died because his heart was such a pussy’. He just couldn’t survive the roar of the crowd, and what a roar! And they just kept it coming, we rocked them and they rocked us. And we were rocking back and forth all night long – it was very similar to sex. And we got a tremendous climax. I imagine the people of Glasgow are waited with baited breath for our return, because no one’s loved them like that since.
I think they will be. You’re playing the same venue as last time too.
J. Well I hope they’ve reinforced it, because it shall be shaken.
Do you have anything else you would like to add?
K. Whatever you do, UK, do not download this record. Go to the store and buy it.
J. Are you really lecturing them on piracy. No one wants to hear you lecturing them about piracy. That is the death knell of record sales!
K. I’m gonna buy up all the vinyl, there won’t be any left. That s***’s a good investment.
J. Yeah if you buy it all imagine how valuable it’s going to be? Its just like buying stocks. It’s like the most precious stock you can buy. Okay I take it back, that’s good sound economic advice – not a lecture at all. You’re looking out for the fans.
K. Make sure you put it in a safety deposit box. Don’t take it out of the wrapper.
J. Unless you have us sign it. But then they’ll never see that gorgeous poster inside of you and me naked, coming out of the flames.
J. But thanks UK, we’ll see you soon. And one more message for Europe: just stay alive. Because it would be a shame if you died before the D came into town. You don’t want to miss this.